5. In China, where Xenophobia and economic ambition ¡that Hollywood be burned. (5.1-5)
6. I feel it¡®s a moral obligation not to say: ?these people out there should continue to live in a museum while we will have showers that work.¡® (6.6)
7. Westernization, I discovered over months of study and travel, is a phenomenon shot through with inconsistencies and populated by very strange bedfellows. (7.1)
8. In Los Angeles, the ostensible fountainhead of world cultural degradation, I saw more diversity than I could ever have supposed¡(8.2)
9. We go to a smallish ?50s-style diner in a slightly seedy pocket east of Hollywood that has just become trendy. (11.1)
e. Rhetorical devices
1. Los Angeles is Fusion Central, where cultures mix and morph. (14. 1)
Morph: to develop a new appearance or change into something else, or to make something do this
The river flooded its banks and morphed into a giant sea that swamped the town.
Lesson4
Text Analysis
A. ´ÊÒåÀí½âÓë·Òë
1. When your secretary invited me to come here, she told me that your Society is concerned with the employment of women and she suggested that I might tell you something about my own professional experiences. a. Society: the Women¡®s Service League b. concerned with c. employment ¾ÍÒµÎÊÌâ Ôö´Ê£º
The frequency, wave length, and speed of sound are closely related. ƵÂÊ¡¢²¨³¤ºÍÉùËÙÈý·½ÃæÊÇÃÜÇÐÏà¹ØµÄ
2. For the road was cut many years ago¡ªby Fanny Burney, by ¡¡ªmany famous women, and many more unknown and forgotten, have been before me, making the path smooth, and regulating my steps. (1.7) a. cut ¿ª±Ù
b. many more unknown and forgotten c. making the path smooth ÆÌƽµÀ· d. regulating my steps£ºguide ²½×Ó
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3. Thus, when I came to write, there are very few material obstacles in my way. (1.10) a. material obstacles ÎïÖÊ·½Ãæ/ÉϵÄ×è° b. in my way
4. You have only got to figure to yourselves a girl in a bedroom with a pen in her hand.(2.1)
a. figure£ºimagine vital statistics Fig. 1
5. She was intensely sympathetic. She was immensely charming. She was utterly unselfish. (3.10)
a. intensely sympathetic
sympathize£ºbe in harmony with b. immensely charming c. utterly unselfish ËýÊÇÕâÃ´ÉÆ½âÈËÒ⣻ËýÊÇÈç´Ë¿É°®ÃÔÈË£»ËýÊÇÄÇôºÁÎÞ˽ÐÄ¡£ 6. She would have plucked the heart of my writing. (3. µ¹13) a. pluck the heart
Ëý»áʹÎÒµÄÎÄÕ¿ն´ÎÞÎï¡£ ÒþÓ÷
´ÊÒåÒýÉ꣺
Every life has its roses and thorns . ÿ¸öÈËÉú»î¶¼ÓÐÌðÓпࡣ
7. Though I flatter myself that I killed her in the end, the struggle was severe.(3.µ¹4) a. flatter
8. Be sympathetic; be tender; flatter; deceive; use the arts and wiles of our sex. (3.µ¹21)
񻃮½âÈËÒ⣻ҪÑÔ´ÇÎÂÍñ£»ÒªÉÆÓÚӺϣ»ÒªÑÔ²»ÓÉÖÔ£»Å®È˵ÄÊ®°Ë°ãÎäÆ÷£¬¶¼ÒªÓÃÉÏ¡£
B£®´Ê»ãÀ©Õ¹
1. She had only to move that pen from left to right from ten o¡®clock to one. From left to right
From age to age ÊÀÊÀ´ú´ú
From China to Peru ÌìÑĺ£½Ç£»µ½´¦ From bad to worse ÿ¿öÓúÏÂ
From pillar to post ¶«±¼Î÷ÅÜ£¬µ½´¦Åö±Ú
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From rags to riches ±©¸»
From strength to strength Ô½À´Ô½Ç¿´ó From tip to toe ´ÓÍ·µ½Î²
From the cradle to the grave Ò»Éú
2£®For ten and sixpence one can buy paper enough to write all the plays of Shakespeare---if one has a mind that way.
(1.µ¹5) have a mind that way=have a mind like that £¨Shakespeare¡®s mind£© That way --I don¡®t know your name yet. --Let¡®s keep it that way.
My way or the highway. £¨The Matrix£© Have one¡®s way
Finders keepers. Losers weepers
Fair enough. ÐУ¬»¹Ë㹫ƽ
Watt: Since there are other applicants on the line, we can't let you know our decision yet until all of them have got their chance for interview.
Ann: Fair enough, I am willing to wait until you have come to a decision.
C£®¾ä×ÓÀí½â
1. My profession is literature; and in that profession there are fewer experiences for women than in any other, with the exception of the stage¡ªfewer, I mean that are peculiar to women. (1.5)
2. Pianos and models, Paris, Vienna and Berlin, masters and mistresses, are not needed by a writer. (1.µ¹4)
3. The cheapness of writing paper is , of course the reason why women have succeeded as writers before they have succeeded in the other professions. (1. µ¹4)
4. It was she who used to come between me and my paper when I was writing reviews. (3.6)
Come between ¡and¡
1. to make people argue and feel angry with each other, when they had been
friends before:
Nothing will ever come between us now. I didn't want to come between a husband and wife. 2 to prevent someone from giving enough attention to something: She never let anything come between her and her work.
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5. If there was a chicken, she took the leg; if there was a draught £¨draft£©, she sat in it¡ªin short she was so constituted that she never had a mind or a wish of her own. (3.12) ·ç¿Ú
6. For, as I found, directly I put pen to paper, you cannot //review even a novel without having a mind of your own, without expressing what you think to be the truth about human relations, morality, sex. (3.µ¹12) directly: as soon as You can¡®t
//smoke without making nonsmokers unhappy. 7. And she made as if to guide my pen.(3.µ¹19)
Make£¨seem£© as if to do: to seem as if you are going to do something but then not do it:
She made as if to speak but then stopped.
8. I now record the one act for which I take some credit to myself, though the credit rightly belongs to some excellent ancestors of mine who left me a certain sum of money¡ªshall we say five hundred pounds a year? (3.µ¹19) Credit: praise, approval for an act, ability or a quality. Examples£º
He took his assistant¡®s credit. She deserves credit for trying her best.
have something to your credit£º to have achieved something She already has two successful novels to her credit. ÏÂÃæÎÒҪ˵˵¶àÉÙÊÇÎÒ×Ô¼º×öµÄÒ»¼þÊÂÇ飬µ±È»×ö´ËÊµĹ¦ÀÍÖ÷Òª»¹Ó¦¹é¹¦ÓÚÎÒµÄÁ˲»ÆðµÄ׿ÏÈ£¬ÊÇËûÃǸøÎÒÁôÏÂÁËÒ»±Ê²Æ²ú£±ÈÈç˵ÿÄêÎå°ÙÓ¢°÷°É£ÕâÑùÎҾͲ»ÓÃÍêÈ«¿¿Å®È˵Ä÷ÈÁ¦È¥Ä±ÉúÁË¡£ 9£®I turned upon her and caught her by the throat. I did my best to kill her. My excuse, if I were to be had up in a court of law, would be that I acted in self-defence. (3. µ¹15)
Turn upon: attack Æþ
Have sb. up : to take sb. to court Peeping Tom was had up for stalking. Curiosity kills the cat.
10£®Thus, whenever I felt the shadow of her wing or the radiance of her halo£¬ I took up the inkpot and flung it at her. (3.µ¹7)
The shadow and the radiance refer to the influence of the Victorian attitudes on my writing
D. Rhetorical devices
1. No demand was made upon the family purse. (1.µ¹6)
Purse: used figuratively to stand for money, financial conditions. This kind of
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