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5. In China, where Xenophobia and economic ambition ¡­that Hollywood be burned. (5.1-5)

6. I feel it¡®s a moral obligation not to say: ?these people out there should continue to live in a museum while we will have showers that work.¡® (6.6)

7. Westernization, I discovered over months of study and travel, is a phenomenon shot through with inconsistencies and populated by very strange bedfellows. (7.1)

8. In Los Angeles, the ostensible fountainhead of world cultural degradation, I saw more diversity than I could ever have supposed¡­(8.2)

9. We go to a smallish ?50s-style diner in a slightly seedy pocket east of Hollywood that has just become trendy. (11.1)

e. Rhetorical devices

1. Los Angeles is Fusion Central, where cultures mix and morph. (14. 1)

Morph: to develop a new appearance or change into something else, or to make something do this

The river flooded its banks and morphed into a giant sea that swamped the town.

Lesson4

Text Analysis

A. ´ÊÒåÀí½âÓë·­Òë

1. When your secretary invited me to come here, she told me that your Society is concerned with the employment of women and she suggested that I might tell you something about my own professional experiences. a. Society: the Women¡®s Service League b. concerned with c. employment ¾ÍÒµÎÊÌâ Ôö´Ê£º

The frequency, wave length, and speed of sound are closely related. ƵÂÊ¡¢²¨³¤ºÍÉùËÙÈý·½ÃæÊÇÃÜÇÐÏà¹ØµÄ

2. For the road was cut many years ago¡ªby Fanny Burney, by ¡­¡ªmany famous women, and many more unknown and forgotten, have been before me, making the path smooth, and regulating my steps. (1.7) a. cut ¿ª±Ù

b. many more unknown and forgotten c. making the path smooth ÆÌƽµÀ· d. regulating my steps£ºguide ²½×Ó

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3. Thus, when I came to write, there are very few material obstacles in my way. (1.10) a. material obstacles ÎïÖÊ·½Ãæ/ÉϵÄ×è°­ b. in my way

4. You have only got to figure to yourselves a girl in a bedroom with a pen in her hand.(2.1)

a. figure£ºimagine vital statistics Fig. 1

5. She was intensely sympathetic. She was immensely charming. She was utterly unselfish. (3.10)

a. intensely sympathetic

sympathize£ºbe in harmony with b. immensely charming c. utterly unselfish ËýÊÇÕâÃ´ÉÆ½âÈËÒ⣻ËýÊÇÈç´Ë¿É°®ÃÔÈË£»ËýÊÇÄÇôºÁÎÞ˽ÐÄ¡£ 6. She would have plucked the heart of my writing. (3. µ¹13) a. pluck the heart

Ëý»áʹÎÒµÄÎÄÕ¿ն´ÎÞÎï¡£ ÒþÓ÷

´ÊÒåÒýÉ꣺

Every life has its roses and thorns . ÿ¸öÈËÉú»î¶¼ÓÐÌðÓпࡣ

7. Though I flatter myself that I killed her in the end, the struggle was severe.(3.µ¹4) a. flatter

8. Be sympathetic; be tender; flatter; deceive; use the arts and wiles of our sex. (3.µ¹21)

񻃮½âÈËÒ⣻ҪÑÔ´ÇÎÂÍñ£»ÒªÉÆÓÚÓ­ºÏ£»ÒªÑÔ²»ÓÉÖÔ£»Å®È˵ÄÊ®°Ë°ãÎäÆ÷£¬¶¼ÒªÓÃÉÏ¡£

B£®´Ê»ãÀ©Õ¹

1. She had only to move that pen from left to right from ten o¡®clock to one. From left to right

From age to age ÊÀÊÀ´ú´ú

From China to Peru ÌìÑĺ£½Ç£»µ½´¦ From bad to worse ÿ¿öÓúÏÂ

From pillar to post ¶«±¼Î÷ÅÜ£¬µ½´¦Åö±Ú

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From rags to riches ±©¸»

From strength to strength Ô½À´Ô½Ç¿´ó From tip to toe ´ÓÍ·µ½Î²

From the cradle to the grave Ò»Éú

2£®For ten and sixpence one can buy paper enough to write all the plays of Shakespeare---if one has a mind that way.

(1.µ¹5) have a mind that way=have a mind like that £¨Shakespeare¡®s mind£© That way --I don¡®t know your name yet. --Let¡®s keep it that way.

My way or the highway. £¨The Matrix£© Have one¡®s way

Finders keepers. Losers weepers

Fair enough. ÐУ¬»¹Ë㹫ƽ

Watt: Since there are other applicants on the line, we can't let you know our decision yet until all of them have got their chance for interview.

Ann: Fair enough, I am willing to wait until you have come to a decision.

C£®¾ä×ÓÀí½â

1. My profession is literature; and in that profession there are fewer experiences for women than in any other, with the exception of the stage¡ªfewer, I mean that are peculiar to women. (1.5)

2. Pianos and models, Paris, Vienna and Berlin, masters and mistresses, are not needed by a writer. (1.µ¹4)

3. The cheapness of writing paper is , of course the reason why women have succeeded as writers before they have succeeded in the other professions. (1. µ¹4)

4. It was she who used to come between me and my paper when I was writing reviews. (3.6)

Come between ¡­and¡­

1. to make people argue and feel angry with each other, when they had been

friends before:

Nothing will ever come between us now. I didn't want to come between a husband and wife. 2 to prevent someone from giving enough attention to something: She never let anything come between her and her work.

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5. If there was a chicken, she took the leg; if there was a draught £¨draft£©, she sat in it¡ªin short she was so constituted that she never had a mind or a wish of her own. (3.12) ·ç¿Ú

6. For, as I found, directly I put pen to paper, you cannot //review even a novel without having a mind of your own, without expressing what you think to be the truth about human relations, morality, sex. (3.µ¹12) directly: as soon as You can¡®t

//smoke without making nonsmokers unhappy. 7. And she made as if to guide my pen.(3.µ¹19)

Make£¨seem£© as if to do: to seem as if you are going to do something but then not do it:

She made as if to speak but then stopped.

8. I now record the one act for which I take some credit to myself, though the credit rightly belongs to some excellent ancestors of mine who left me a certain sum of money¡ªshall we say five hundred pounds a year? (3.µ¹19) Credit: praise, approval for an act, ability or a quality. Examples£º

He took his assistant¡®s credit. She deserves credit for trying her best.

have something to your credit£º to have achieved something She already has two successful novels to her credit. ÏÂÃæÎÒҪ˵˵¶àÉÙÊÇÎÒ×Ô¼º×öµÄÒ»¼þÊÂÇ飬µ±È»×ö´ËÊµĹ¦ÀÍÖ÷Òª»¹Ó¦¹é¹¦ÓÚÎÒµÄÁ˲»ÆðµÄ׿ÏÈ£¬ÊÇËûÃǸøÎÒÁôÏÂÁËÒ»±Ê²Æ²ú£­±ÈÈç˵ÿÄêÎå°ÙÓ¢°÷°É£­ÕâÑùÎҾͲ»ÓÃÍêÈ«¿¿Å®È˵Ä÷ÈÁ¦È¥Ä±ÉúÁË¡£ 9£®I turned upon her and caught her by the throat. I did my best to kill her. My excuse, if I were to be had up in a court of law, would be that I acted in self-defence. (3. µ¹15)

Turn upon: attack Æþ

Have sb. up : to take sb. to court Peeping Tom was had up for stalking. Curiosity kills the cat.

10£®Thus, whenever I felt the shadow of her wing or the radiance of her halo£¬ I took up the inkpot and flung it at her. (3.µ¹7)

The shadow and the radiance refer to the influence of the Victorian attitudes on my writing

D. Rhetorical devices

1. No demand was made upon the family purse. (1.µ¹6)

Purse: used figuratively to stand for money, financial conditions. This kind of

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