Minim ¶þ·ÖÒô·û Pulse ½ÚÅÄ Accent ÖØÒô
Phrase À־䣬¾ä½Ú£¬·Ö¾ä£¬ÀÖ½Ú Hiatus Òô³ÌÆ«²î Trill ²üÒô
Crotchet ËÄ·ÖÒô·û Triplet ÈýÁ¬Òô Quaver °Ë·ÖÒô·û Subito f ͻǿ Crescendo ½¥Ç¿ Texture »ùµ÷ Slur Á¬Òô Upbeat ÈõÅÄ Dotted ¸½µãµÄ
Rhythmic ÓнÚ×àµÄ Touch ´¥¼ü Dynamic Ç¿Èõ Shape ÒôÐÍ Word Òô·û Offbeat ÈõÅÄ Range ÒôÓò
Contrast Òôµ÷/ÒôÉ«µÄϸ΢²î±ð Staccato ¶Ï×à Tenuto ³ÖÐøÒô Legato Á¬×à
Articulation ÏνÓÒô Rest ÐÝÖ¹·û
Variation ±ä×ࣨÇú£© Chord ºÍÒô Pattern Òô·û×é
Release ÒôµÄÊͷŽ׶ΠTaper ½¥Èõ Form ÀÖʽ
Sequence Òô¸ßÖð¸öµÝÔö»òµÝ¼õ Suspension ºóÐøºÍÒô£¨¹ÒÁôÒô£© Preparation ÏÈÐÐÒô Chromatic °ëÒô¸ß Step Òô¸ß²î Projection µ¯×à Key µ÷
Arpeggio ÅýÒô Octave °Ë¶ÈÒô³Ì
Downbeat/on-beat Ç¿Òô½ÚÅÄ
Tie Á¬Òô
Number ×÷Æ·¼¯µÄ×÷Æ·Ö®Ò» Arrangement ±àÇú£¨¸Ä±àÇú£© Syncopate ÇÐ·Ö Flourish ´µ×à Triad ÈýºÍÒô
Leger line ¸½¼ÓÏß
Block chord Á¬ÐøÒô¸ßÈýºÍÒô Open chord ·ÇÁ¬ÐøÒô¸ßÈýºÍÒô Scale Òô½× Harmony ºÍÒô
Color ÒôÉ«£»µÈͬ½Ú×àÖÐÖØ¸´µÄÒô·û Cadence ÖÕÖ¹ Modulation תµ÷ Interval Òô³Ì Canon ÂÖ×à Clef Æ×ºÅ
Counterpoint/counterpuntal ¶ÔÁ¢·¨£¨µÄ£© Voice/voicing ºÍÒô/ºÍÒôÅä·Ö Flat ½µµ÷
Grace note ×°ÊÎÒô Trio ÈýÖØ×à Sforzando ͻǿ Set ¼¯ºÏ Treble ¸ßÒô Bass µÍÒô
Rubato ×ÔÓɵ¯×à Musicality Òô¸Ð Register ÒôÓò
Inflection Òôµ÷±ä»¯ Accidental ±äÒô·ûºÅ Tenor ÄиßÒô
Entry £¨ÑÝ×àÕߣ©µÄ¿ªÊ¼£»ÔÙ¿ªÊ¼ Accelerando ½¥¿ìµÄ Presto £¨¼±£©¿ìËÙµÄ Leap Òô¸ßÌøÔ¾
Vertical ºÍÒôÒô³Ì Consonance кÍÒô Dissonance ²»ÐºÍÒô Swing ÒôÂÉ
Leitmotif Ö÷ÐýÂÉ£»Ö÷µ¼¶¯»ú Figure °é×àÐýÂÉ£»¶¯»ú£»ÀÖÖ¼ Unison Æë×à
Gesture µ¯×à·½·¨£»ÒôÀÖЧ¹û
Broken chord ·ÖÉ¢ºÍÒô Suite ×éÇú Shading Ç¿Èõ
Sonatina С×àÃùÇú Passage ¾¹ý¶Î Appoggiatura »¨Òô
Double µÍ°Ë¶ÈµÄ£»Ë«ÅÄ×ӵģ»¶þÖØ×àµÄ Idea Ö÷Ì⣻ÒôÐÍ£»ÀÖ˼ Mordent ²¨Òô
Acciaccatura ¶ÌÒÐÒô Reprise ÖØ×à Movement ÀÖÕÂ