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Engineering Design in Three Dimension

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Design Modeling Camera Light Material Rendering Animating

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Mechanical School of Shanghai University

December 2005

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Contents Page

1 Industrial Design ( ¹¤ÒµÉè¼Æ ) 2 Interior-Design £¨ÊÒÄÚÉè¼Æ£©

3 Design and Presentation £¨Éè¼ÆÓë±í´ï£©

4 Simulation £¨·ÂÕæ£©

5 Design Methodology £¨Éè¼Æ·½·¨Ñ§£© 6 Example of 3D Models £¨ÈýάģÐÍʵÀý£©

7 Introduction to AutoCAD Help £¨½éÉÜAutoCAD ÔÚÏß°ïÖú£© 8 View and View ports £¨ÊÓÏß¡¢ÊÓ´°ÓëÊÓ´°²¼¾Ö£© 9 Coordinate System (×ø±êϵͳ)

10 Specify and Modify Point (Ö¸¶¨ºÍÐ޸ĵãµÄλÖÃ)

11 Draw and Edit Curves (»æÖƺÍÐÞ¸ÄÆ½ÃæÇúÏß) 12 Require the Object Data (»ñȡͼÐζÔÏóÊý¾Ý) 13 Transform the Object £¨±ä»»ÎïÌåλÖã© 14 Create Plane £¨Éú³ÉÆ½Ãæ£©

15 Create Surface (Éú³ÉÇúÃæ) 16 Create Solid (Éú³ÉʵÐÄÌå) 17 Solid Edit Operation (ʵÐÄÌå±à¼­²Ù×÷) 18 Output of AutoCAD (AutoCADÈí¼þµÄÊä³öÐÎʽ) ** ** ** ** ** **

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Contents Page

19 Introduction to 3DS Max ( 3DS MaxÈí¼þ¸ÅÊö) ** 20 From AutoCAD to 3DS Max (´ÓAutoCADÊäËÍÄ£Ð͵½3DS Max)

21 Modeling with 3DS Max ( ʹÓÃ3DS MaxÈí¼þ½¨Ä£ ) 22 Loft £¨·ÅÑù£©

23 Deformation (·ÅÑùÎïÌåµÄ±äÐÎ) 24 Materials Type and Material Properties (²ÄÖÊÀàÐͺÍÊôÐÔ) 25 Mapping £¨²ÄÖÊÖеÄÌùͼ£© 26 Placing Lights in the Scene £¨ÔÚ³¡¾°ÖзÅÖùâÔ´£© 27 Placing Cameras in the Scene £¨ÔÚ³¡¾°ÖзÅÖÃÕÕÏà»ú£© 28

Rendering the Scene £¨½«³¡¾°äÖȾ³É¾²Ö¹Í¼Ïñ£©

29 Animating £¨ÖÆ×÷¶¯»­£©

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1 Industrial Design ( ¹¤ÒµÉè¼Æ )

Industrial Design: design of products made by large-scale industry for mass distribution. Designing such products means, first, planning their structure, operation, and appearance and then planning these to fit efficient production, distribution, and selling procedures. Clearly, appearance is but one factor in such a complex process. Nevertheless, in consumer goods especially, appearance design is widely accepted as the principal virtue of industrial design; it is that portion of the whole least subject to rational analysis and, like craft secrets of the past, most advantageous in commercial competition. On the other hand, design of equipment for production, for services, and for sports is expected to demonstrate utility; but in these products, too, appearance design is increasingly important.

Industrial design is supplied to manufacturers by three kinds of designers: staff designers, fully employed by one firm; designers under contract, who may serve several clients simultaneously, generally avoiding conflicts of interest; and free-lancers, who sell designs, often with royalty agreements, to the best-paying manufacturer.

The first industrial designer recognized as such worked under admirable conditions: Peter Behrens (1868-1940) in 1907 was hired by the Allgemeine Elektrizit?ts-Gesellschaft in Germany to be their architect, industrial designer, and graphic designer¡ªin fact, to give unified visible character to the numerous activities of a giant enterprise. Behrens had other clients and professional duties besides. A member of the architectural profession, Behrens applied its standards and ethics to his work as industrial designer, founding in 1907, with others, an important association of designers and businessmen, the Deutscher Werkbund. As a direct result, a number of these German and Swiss associations became well-established professional organizations of industrial designers. In the United States and Great Britain industrial designers initiated legally recognized professional associations, with codes of conduct, educational standards, etc. In London the Royal Society of Arts designates qualifying practitioners as Royal Designers for Industry; in the United States the Industrial Designers Society of America grants memberships only to those subscribing to codes and limitations of practice. In Britain the Council of Industrial Design was established in 1944 to advise on design, recommend designers, and provide courses in design appreciation for trade and exhibitions for the public. The International Council of Societies of Industrial Design was founded in London in 1957, and within 25 years it had members in more than 40 countries.

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